How we got here, where we go next
For the contents of this post, please go to https://rochereau.wordpress.com/2021/06/19/how-we-got-here-where-we-go-next/
For the contents of this post, please go to https://rochereau.wordpress.com/2021/06/19/how-we-got-here-where-we-go-next/
“What intellectual colossus could claim to know and understand everything? The impossibility of these doomed projects soon becomes apparent to most of us. And a consideration of these complexities reminds me that there also exist a multitude of cities: for every citizen there exists a different city—yes of course there is a shared reality—but no one’s city ever entirely corresponds to any other, and will often diverge wildly. If a great city can boast of harboring ten million citizens, then the number of extant cities will also be ten million.”Perhaps I ought to say somewhere that I like it very much. Dunno, let the ink hang out to dry here for a while. It’s my party and I’ll dry if I want to.
What Späth’s narrator says in his novel can also to be applied to every review and every reading of its rich text. I could write a dozen reviews of it, each showing it in a different light. This is my second. The first was about an earlier draft, less than half the length*. Quirkily, I choose to compare his treatment of Manhattan with Joyce’s Dublin seen through the eyes of Leopold Bloom, Stephen Dedalus and a host of incidental characters. Thus he builds a composite view of the Irish capital in a 24-hour vignette rooted in a series of incidents and interactions. The Sun Temple by contrast is almost free of plot, narrow and specific in its viewpoint and route between Cooper Square and the battery Its characters are the Sun, whose touch gives life to all, and the solitary narrator’s personal Manhattan. At the prospect of a random act of kindness, towards “the Chinese man and his wife”, he clumsily fails. Stung by retrospective guilt, he dedicates his novel to them.
His Manhattan is rooted in its own crumbling past: steeped in history and nostalgic atmosphere which only a sensitive pilgrim can uncover: not with archaeological tools but the antennae of a psychic: a sort of dowser who unearths powerful primitive realities. Their essence is encoded through visible remains, especially at the southern point of Manhattan Island known as the Battery, redolent with history, custodian of mysterious monuments and the burnt-out remnants of a structure known as the Concession, symbol of the narrator’s regret for the missed opportunities of youth.
Meanwhile, Manhattan is being constantly renewed—buildings torn down and replaced, old landmarks erased—abetting our narrator’s “debilitating Nostalgia that posits the past as always superior to the feeble and diluted present.” His remedy is to stand aloof from the crowds and the illusions that sustain their bad faith. Instead he offers worship to the Sun, for it reigns beyond our time, from where it creates, sustains and controls all the cycles of life.
The text is erudite at times but unlike Ulysses is easy to read. Thus:
“Bolstered by the Savage Hemp (the preferred suffumigation of the ancient, warlike Scythians), I fear no man, and could possess any woman, if I so desired. But the unsustainability of these God-like states is an unfortunate fact.”
His writing is suffused with an endearing candour, conveying an honesty that for all its flights of fancy strikes true in the heart and comes gracefully down to earth. He builds himself up, only to knock himself down again:
“Arising, I move languidly through this gold-coloured equation—as if following the dictates of an ancient sect—undoubtedly presenting a most strange appearance and perhaps causing certain members of the crowd to ask ‘Is he among the Prophets?’ However . . . another segment of the public . . . takes me for a skulking, heavy-lidded malingerer . . . the most dismaying aspect of all this that I do not entirely disagree with their opinion!”
As a user of psychedelic drugs whose habitat is the open air (his little apartment being too squalid, merely the place where he has nightmarish dreams), he compares himself to an Indian sadhu, despised by some, venerated by others.
There are hints that the novel derives in part from the journals of its author, covering a few weeks of his life long ago. But this is merely the base metal. In his sprightly prose (riddled as it is with unimportant typos that merit proper editing for the next edition) the raw material is smelted into gold in an alchemic crucible. The person and city are both thrown in. So here we have one out of at least ten million Manhattans, as real as any other; not static but like all of life constantly expanding and deepening, combining and being refined. First there is raw experience with its recognizable common features that we call reality. Add to this the quintessence of subjectivity. What do we get? Transported to an ordinary place beyond the reach of time, as we shall not discover until the final page.
[Written on July 18th, 2016]
... getting the hang of it, and am actually enjoying it—which is the true test of any endeavor ...That hits the nail on the head. The true test was applied: the endeavour hardly scraped through. I should write adventurously, more daring and loose, as also hinted by Bryan White (not to mention Ghetu over these years, who’s almost gone from youth to middle age in the meantime). The other day I thought of a more alluring title: The Cycle of Imperfection, as a reminder to hang loose. Imperfect Evolution begat imperfect Nature, Nature begat imperfect Man. God is clearly not perfect. It’s not that I’ve become slapdash. To sweat the small stuff is one of my prime imperfections, as is failing to see the big picture, and veering off on the wrong track. Never mind, let me persevere down those wrong tracks and bring back unexpected delights.
It’s true that Vincent van Gogh shot himself in a field near Auvers, where he was staying with Dr Gachet, and died a few days later. He’s often cited as the archetypal unhappy mad artist, but I think his mental anguish occurred only at the crises of his intermittent condition. Surely painting itself was his joy, a sensual ecstasy which communicates through his colours and brush-strokes. Art and literature aren’t easy. To develop the highest skill requires obsession. The goal is to communicate one’s experience to another. Joy is the only experience worthy of being translated via the painstaking treatment of art. It doesn’t matter what facilitates the obsession. Certain blues-singers honed their art when blindness and poverty had closed other avenues. They say birds sing sweeter in a cage. The young child is endlessly creative, with potential for anything, then life closes off one option after another.† Searching Google to see if anyone has written a book called The Cycle of Imperfection or anything similar, I came across The Gifts of Imperfection, by Brené Brown. Its subtitle is “Let go of who you think you are supposed to be and embrace who you are”, & appears to be written for success-driven high-flyers like herself, who compulsively read and thus help push up “#1 New York Times Bestsellers”. Not to be confused with anything I may publish.
[Written on July 6th, 2016]
Noösphere: The part of the biosphere occupied by thinking humanity; spec. (with reference to the writing of P. Teilhard de Chardin) a stage or sphere of evolutionary development characterized by (the emergence or dominance of) consciousness, the mind, and interpersonal relationships, postulated as following the stage of the establishment of human life.I call it an accident in one of its everyday senses: not a clumsy slip so much as an unintended result, the culmination of a series of actions, millions of them, individually countable, each sincere and deliberate, whose combined outcome could not be predicted and whose result was unexpected and shocking. As cosmologists, physicists and evolutionary biologists will surely agree, we owe our very existence to accidents, without the intervention of Intelligent Design.
A dream [written June 4th, 2016]:
Many forms of Government have been tried, and will be tried in this world of sin and woe. No one pretends that democracy is perfect or all-wise. Indeed, it has been said that democracy is the worst form of Government except all those other forms that have been tried from time to time.That was Winston Churchill in a speech to the House of Commons, November 11, 1947.
[Written May 25th, 2006.]
Peter Hennessy: June 23rd 2016 has been a breaker of careers and a breaker of hearts for some people. It has thrown the personnel question of the state high up in the air too. Whatever happens to Jeremy Corbyn, who knows, and what’s happened to Boris Johnson already, their salad days have been taken away from them.
Paddy O’Connell: So we start with the doubters. Should they be optimistic or pessimistic?
PH: It would help if we actually, without being excessively Pollyanna-ish about this, remember that we are a mature democracy. Not since wartime have we faced anything like this. This caesura, this guillotine, is going to leave big scars. It’s made the big scars already. We’ve been scoured by this. It’s an awful lot for any individual who cares about their country, as we pretty well all do, and has a sense of their past and the prospects of the future to be anything other than gloomy about the multiple overlapping uncertainties which might lead to the breakup of the United Kingdom—which would actually break my heart. And to all sorts of divisions within our society that we knew about, which have been shown up in even sharper relief because of this Referendum. Differences based on lack of life chances in many areas, inequalities of wealth and all the rest of it and attitudes—immigration and ethnicity and all that. It’s a moment when you look around and all you can see is a country looking for things to fall out over, rather than to fall in about. And so pessimism could be all too easily the mood of choice. But I refuse to actually, get pessimistic, because I think we do have these deep wells of civility and tolerance in our society, which we’ve got to draw deep on—and fast. We also have this genius we pride ourselves on called “muddling through”.
But the other reason is just straightforward cockeyed optimism, really, and I will refuse to get gloomy, unless and until the Four Horsemen of the Apocalypse ask for landing permission at Heathrow—and not even then.
PO’C: You’re determined to be optimistic when I see so many people pessimistic. Listeners to Radio Four are furious at the tone of the debate. Also whatever message the public wanted to send the political elites, it is the elites who are going to decide who the Prime Minister is going to be, it is the elites who effectively are kicking out the Leader of the Opposition.
PH: Well this word elite is tricky. In many ways notions of elite and Establishment are very useful in open societies because they are there for cathartic purposes. You can rant about elites and establishment but you don’t know who they are, you can’t see them in the evening on the Victoria Line and be tempted to beat them up. So I’ve always thought the Establishment-elite notion was quite useful but it’s wildly imprecise, but the one thing we want to cling to, the ultimate thing that matters in an open society is the vote. This is a time for not being rigid about everything; but you’ve got to stick to the rules of the game. If you’ve lost something—and I was a Remainer, I’m quite open about that—you can’t say “The people were misled”. It’s rather like the Marxists used to say: “The masses have let us down yet again.” You’ve got to express the sovereign will, as expressed through a vote—and you’ve got to accept that. You’ve got to live with it, and make the best of it. The only possibility, if you really did want to reopen it, reasonably quickly, is to have a General Election on a single issue which is that, but General Elections can’t be on single issues, because General Elections are lightning conductors for a whole range of resentments, hopes and fears and possibilities. You can’t have a general election that really can be trusted to be on a single issue, can you? Hence the referendums.
Peter Hennessy
PO’C: But, if two or three main parties won a plurality of the vote, and they were all pro-EU membership parties, that would trump the Referendum?
PH: Well, some might argue that it would. But when you consider it, how many people would be left deeply resentful?
PO’C: —Oh, seventeen million!
PH: The vote that mattered to many of them in their lives above all other votes was that one, on the 23rd June. Nicholas Soames, who’s a friend of mine, I admire him very much, a member of the Churchill family, said to me last week, “This was about the end of the post-war settlement”. Ever since the Marshall Plan, when the Americans put up a dollar curtain against the Iron Curtain, and got the Western European nations to talk about how they should do it together, the grain has been towards European integration of some form or another. The Brits wanted a different form of it and were very reluctant to go down the Common Market version of it for a very long time, but the grain has been that way, plus the Brits’ desire to play on every playing field in the world that’s possible, to punch heavier than our weight in the world. What we’ve got to do now, Paddy, is to think heavier than our weight in the world.
But it’s a perilous old path, isn’t it. Because we’re in a very ratty mood at the moment. We’re not being nice to each other. And a large part of the rest of the world thinks that we’ve lost it. We’ve gone from being a great stabilizing nation in the world, whichever alliance we’ve been in or whichever organization we’ve belonged to, to being one of the world’s destabilizers, and they’re shocked rigid by it. And I’m not surprised.